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ill will, creativity, and pleasure. Following a
summary lecture on the last night, I ask each student to respond
verbally to the following question: “What will you personally take
away from this class?” In teaching stress management
to the Department of the Army at the Pentagon, my colleagues and I
developed this approach to wrap up a course which taught diverse
cognitive-behavioral skills. We found that this question usually
resulted in a much more relevant and practical summary than lecturing.
People tend to listen to their classmates, who are speaking from their
personal experience, often framing up their life lessons in fresh
ways. It helps to assign students the task of reviewing their notes
ahead of time to prepare for the discussion.
Susan White, Finance The last week of
classes is difficult for both students and teachers — much too much is
happening on all fronts. Remember the joke about the teacher who
diedand went to hell? When she got there she had a mandatory interview
with the devil. He told her that in hell everyone had to work and that
her job assignment was as a teacher. She said that she would like
that—she had worked as a teacher all her life. The devil said, “yes,
but in hell every week is the last week of classes.”
Strategies for a last class can vary widely, depending on the class.
The last class day does not have to be wasted time, but if it can be
made into a fun class, you and
the students will |
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appreciate it. The last day of classes is a good
day to wrap things up—students could present on their projects or do a
role play exercise. The instructor can use the last class as a review,
and wrap up the main points of the course. If there is a final exam in
the course, the last day can be used as a formal exam review session.
Philip Silvey, School of Music
I have always found endings to be more challenging
than beginnings. Often the end of a semester arrives too quickly, and
in the final class session it’s as if everything suddenly grinds to a
halt. There I am, bleary-eyed in the middle of a vacated classroom
asking, “What just happened?” By creating a forum for students to
share their mastery and progress as they negotiate their way through
our degree program, we have set aside a moment in time to appreciate
and reflect upon what has just happened, and to orient ourselves
toward what lies ahead. The success of our own version of “noon
recitals” is an indication that perhaps final classes are best spent
as times to regain perspective, gather our things, and prepare for the
next leg of the journey.
One of the advantages of teaching university
courses in musical performance is that student progress is readily
discernable. If pitches are out of tune, or the technique is flawed,
the instructor immediately perceives this and can determine if a
student has not mastered the challenges of performing a musical
composition. In the School of Music, students
regularly participate
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in weekly “noon recitals” to demonstrate
individual progress on their principal instrument for peers and
faculty in a public performance. Along with encouraging the
development of musicianship and performance skills in our students,
the Division of Music Education faculty also endeavors to nurture
students as teachers-in the-making. Unlike the immediate impact of a
well-rehearsed performance, the skills required to be a successful
teacher are less glamorous and rarely seen by a broader audience
outside an individual instructional setting.
A few years ago, in an effort to recognize and
acknowledge student advancements in their “educatorship” (the ability
to teach, an expression used by music education philosopher David
Elliott), the music education faculty decided to implement a “music
education noon recital.” This occasion was conceived essentially to
serve as a public forum in which our undergraduates could share with
one another the progress they had made as teachers-in-training both
within and outside of their music education coursework during the
semester. The music education noon recital has now become a regular
feature of end of semester activities. This event includes student
performances on secondary instruments (often never attempted before
the beginning of a particular semester), demonstrations of teaching
success through student led small ensembles or peer teaching, and the
sharing of video clips of practice teaching conducted in field
placements
"Semester
Ends..."
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